Siblings Hilary, Thomas and Billy have been thrown together after a long estrangement to plan their mother’s funeral. For Thomas and Billy, the prospect of being back in their childhood home is far from ideal. Even more unsettling is their sister, who has developed a few disturbing attachments to dolls, preserves, and pebbles underfoot. For Hilary, the sight of her brothers is a sign of hope and a new life. As they argue over the funeral arrangements, Hilary, Billy, and Thomas struggle to contain their secret hopes, desires, fears, and shame. Witty and insightful, What We All Want shows just how beautiful and tragic family can be.
In the gallery of eccentric novels, this new work from Michelle Berry holds a determined place. A quick and compelling read, What We All Want is a quirky exploration of the bizarre condiments of family life, and how death brings together the different pieces of one family puzzle in a strange rearrangement of that institutions terrible failures.
Berry's attention to average people is what makes her novel so good . What We All Want is an endearing and amusing novel that is bizarre while remaining credible.
This book has all the makings of a Peter Sellers movie with a little angst thrown in for good measure. This book is a good read that delivers more than unremittingly grim social commentary. Its cynicism is infused with hope; social realism butts up against the grotesque, making the fiction vital and playful.
In the end, What We All Want is a satisfying portrait of a family, a town, a society in crisis. What we want is for the Mounts to succeed, to live good lives. The same things we want for ourselves and our own brothers and sisters and daughter and sons.
Berry is a writer of disciplined restraint, one who always seems as though shes about to speak the unspeakable before she rears back, keeping things on this side of the credible, the recognizable. In the end, against all odds, she achieves a fine balance.
Andrew Pyper, Quill and Quire
[A] crafty piece of writing Berry uses a spare and direct style to convey her characters dilemmas. And she has a way of letting the situation speak for itself, without cluttering things up with intricate or adjective-heavy wordplay. This is a really good first novel.
Susan Cole, NOW weekly
Turnstone Press acknowledges the support of the Canada Council for the Arts, the Manitoba Arts Council, the Government of Canada, and the Province of Manitoba through Manitoba Sport, Culture and Heritage.